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Penumbra Online 
Fall 2025
The Bestiary and Us:
A New Book of Beasts

Table of Contents

***Pieces marked with three asterisks have been chosen as staff favorites.

The Meaning of Life
by Marc Frazier

My mother watched the bird feeder. The neighbor’s cat sat under it. The cat was fulfilling
its destiny. The birds were trying to escape theirs. I’ve seen the cat—orange and scrappy
looking. And hungry. It belongs to a young couple across the street. They also have a
good-looking dog. This is exactly how it should be I thought. You do not have to look too
far to find happiness. When my mother told me this, everything made sense. I want to
watch her watch the bird feeder. But she did not escape the cat. I want to be as still as she
is now. That is if she is. That is if I can understand how much still remains. We are the
cat and the birds she must have thought. Or what kept her watching every morning? She,
the bird heart beating in my palm.

Beast of Burden
by Schuyler Becker

The gelding was adorned,

not with medals

but metals–

bridle, bit, rings on reins,

shoes clinking

on cobblestones

His smooth gait a miracle

to the ignorant

with blinders settled

over a powerful gaze;

​

This is what I want to say:

that the beasts of burden

are our burden to bear

The vibrant hearts

and plains and bared teeth

were not crafted to be

burned, berated, beaten

They were molded to be

cherished, to be adorned

with sunlight and kintsugo hands;

 

Muscles bound

by restraint

his chestnut mane towers

above my skull

He does not know me

But he knows my face all the same

Does he despise the weight of metal?

​Or does he stride with pride

a shadow of honor

and safety in his wake?

​

We must ask ourselves this

what I truly want to say:

At what point does familiarity

settle in as domestication?

Is it better to adorn oneself

in humility and wear it as pride

or never venture into

well-inhabited spaces?

Did not the horse choose

to be fitted for his shoes?

Puppy Dog
by Catherine Bull

Now he's a snuggly scalawag.

Now a stubborn McStubbornFace.

Now flat-bellied with the zoomies

in the living room, finding apogees thisaway

and thataway and thisaway and thisaway.

He leans into smells and brandishes

and burnishes his nose. Now he's a wind-up

barking contraption with a broad definition of "threat."

Now a gently sleeping puppydumpling.

Now he is proudly displaying the shoe that is all

chomped over. Now he is keeping-away

a much-salivaed sock. Let him always

be frazzlingly cute. Let him always be

exhaustingly, scruffily spring-loaded.

Puppy! Puppy! Puppy!

Upon Mine Arm, the Dragon
by Jackeline García-López

Upon mine arm, where flesh doth meet the flame,
I carve the wyrm, proud bearer of my name.
Its scales are ink’d, yet living in my vein,
A sovereign beast no mortal chain can tame.


With wings unfurl’d, it whispers ancient lore,
Of kingdoms lost, of battles sung in song;
It coils within my sinew evermore,
A guardian fierce, to keep my spirit strong.


O Dragon mine, thou dwell’st in skin and bone,
Yet breatheth fire within my waking breath;
In thee I find a power not my own
A pact eternal, stronger still than death.


So let the world behold this ink-forged sign:
The Dragon’s might, and in its heart--my spine

masquerade
by Lillo Way

what’s to be said of these creatures in their ingenious costumes—

       plush rabbit in the thicket, slick-striped chipmunk 

            among the rocks?

​

here’s a weasel in a mink coat and one mantled in ermine.

       they’ve come disguised as themselves and they fool me every time,

            sneak past me on their soft soles.

​

musicians cloaked in fine feathered robes melodize

       as if they’d just gotten their big break and were cast in an operetta.

            prodigies every one, “naturals.” 

​

a fox steps out dressed for the evening in her stole and gloves,

       stalked by a wolf in wolf’s clothing. tricksters all. masquerading as totems.

            I’ll follow them anywhere.

Fetch is Everything.
by Jori Lindley

Medium: Photography

Fetch_is_everything.JPG

While the Hens Were Laying Real Eggs
by Sarah Henry

Snakes seek out real eggs.
A ceramic egg was a fake
on a chicken coop’s floor.
It smelled like a real egg.
It smelled like a chicken
with thick white feathers.
It caused a lot of trouble.


A snake dined in the coop
and had an awful surprise.
It gulped the ceramic egg
as busy hens were laying
real eggs. The wrong one
stuck and formed a bulge.
The snake thrashed about
in a big display of misery.
The coop’s helpful owner
caught the stricken snake
with tongs and conveyed
it to a vet in a lidded box.


A photo in a paper shows
an employee at a wildlife
hospital. A woman wears
long gloves and holds the
snake. A caption explains
that vets performed risky
surgery on the sad snake.
The egg’s been removed.
The healthy snake could
slither away to eat a real
egg and not an imposter.

Extinction 
by Sara McClayton

It did not surprise me that the dodos were first to appear. They were the most infamous, after all.
They materialized on empty sidewalks, their yellow beaks cutting through smoke and grime.
They waddled into kitchens flapping their useless, incorporeal wings. Out of instinct, cruelty, or
both, people attempted to whack them over their heads. The weapons sliced through air instead
of feathers, and the animals cawed and vanished, to reappear in another dwelling, another
compound.


Woolly mammoths caused considerably more panic, but not nearly as much as the saber-tooth
tigers. Even though everyone realized the cats were intangible, the sudden formation of a
slavering predator was unnerving. Blood-curdling screams were common but, fortunately, stifled
due to the masks.


The next few days brought a menagerie of beasts. We marveled at the faded messages still
clutched in the talons of passenger pigeons. Agitated black rhinoceros charged at workers in
pressurized suits. Tasmanian tigers stalked pets with grace and ferocity. The golden toad would
often hop by unobserved, and only the most fervent entomologists among us noted the
appearance of Xerces Blue Butterfly.


It hurt me to see certain animals. Dingy and thin, polar bears wandered aimlessly in search of ice.
African elephants surveyed the landscape with weary eyes. Once, I saw a red panda huddling
under the skeleton of a tree. I wanted to scoop up its immaterial form and place it on the highest
remaining branch.


Of course, no one knew when and how it would end. There was endless speculation about the
number of extinct species remaining. Scientists and politicians tried to reach out to other cities,
other countries, and finally other continents. Each morning, we awoke to the ethereal squawks,
howls, and hoots that managed to penetrate our walls.


One morning I awoke to silence. I stepped outside to see a man kneeling alone, breathing the
thick gray air, a lynx curled around his feet.


“Hey,” I called to him, “You need to wear your mask”.


He did not respond, only stroked the lynx and gazed at me. When I reached out to touch his
shoulder I felt only air.

Sleeping with Cheetahs
by Sharon Hoffman

Somehow, I slept wrong
and woke up with an ugly crease
striping my cheek, thanks
to a wrinkle in my cotton pillowcase.
And last night I was fretful
until I flattened out the sheet
crumpled under me.
I hate that. My dog hates it too.
She'll scuff the bedspread this way
and that until she's satisfied
that everything's even. Usually,
I smooth the covers out
before I tell her time for bed.


Somehow, I came across
this video of a conservation camp,
in Africa, I think. It’s night,
and the ranger is asleep
on the dirt floor near
three young cheetahs. The one
furthest away awakens – restless,
lonely in the midnight hour.
He wakes up, too.
He knows, of course,
that she will come to him,
so he smooths out the blanket
just as I do.

Love is No Labor At All
by Reagan Oliveira

Before we knew your liver was failing,
We tried everything to make you eat
Little pieces of salami, bits of fat
From our steak dinner
But I knew something was really wrong
When you stopped waiting for ice cubes
At my feet
When I went to the fridge for water.


My sweet boy
The one that hopped from lap to lap
Like some kind of canine Benedict Arnold
Whenever I sat down on the couch.


In your final days,
I took you to the front yard
To lay on the grass and feel the caress of the sun
One last time.
In your youth,
You would have made me chase you down the block
You would have wriggled through the fence
To chastise Huckleberry, the sheepadoodle next door,
And made me get the neighbors.


Today,
You preside over our mantle
Your collar still stained by what we called
“The Schnauzer Scruff”
I recall combatting your doggy eczema
Dusty black fur and caterpillar eyebrows
Stoically sitting in the laundry room sink
As we cupped water and shea-butter soap
Over your head.


You pain in the ass
You loved to drag me down the street during our walks
–Though they were more like
inquisitions of the shrubs and sidewalks

Even now,
I can still feel the phantom ache of you
Tugging on my shoulder.


The friendly pitter-patter of
Well-maintained nails
On the hardwood floor behind me
I wish somebody would make me pause
At the ice machine
And dig out a frozen cube
One last time.

Who am I?
by Emily Torres

Everyone says I am quiet.
Standing upon a mirror- the mirror
reflects what they see- a lioness,
tranquil, preening my fur in the sun.


I growl! Ridiculous! I’m trapped in hate.
Roaring at the world- spiraling and
pacing in directions- feeling closed in,
a mockingbird trapped in a cage.


A mockingbird! That is who I am!
Despite anger that festers- I sing
beautiful melodies- just like them,
something I wish people could see.


The mirror focuses- reality sinks in.
I see the lioness- but different of what
people see- dangerous, dark, she wants
to use her claws, to shred what they think!


Consumed with anger and hate.
Will I ever go back being how I was-
or did I lose myself, in claws, frustration...,
Am I no longer the same as a mockingbird who sings?

The Cry
by Nancy Hastings

Why is the white cat’s stray cry
disquieting?


She is not alone, troubled by hunger.


The bushes are filled
with community cats, in wait
of a cushy life, indoors.


There’s danger in an unattended cry
for it can’t help but gnaw the part of me
most fiercely mother bear, within.


Sometimes, in a big box store,
it is all I can do to ignore
the sobs of a child missing
an afternoon nap.


Part of me wants to calm the moment
for a frazzled soul.
No one deserves to be treated as a stray.

A Lizard's Gaze
by Lydia Kuerth

Clay-bed red,
dappled like a decayed leaf,
an anole the length of my hand
rests a foot
from my sandal.


I,
a human tree
rooted in concrete,
deem him blind
but
his head
          ―swivels


and a bright
black eye
nips
my face


I flinch;


he skitters
away

Avian Echelons: Birds of a Feather and the Maintenance of Social Stratifications
by Wendy K. Mages

A myriad of inconspicuous little birds
twittering in the trees, go unnoticed,
as a noble pair of snow-white swans,
luminous and radiant, sails along the river,
regal celebrities of air and stream.


The solitary great blue heron,
distinguished in dignified regalia,
observes, governs, presides,
from where he proudly
perches atop the stone wall.


A flotilla of noisy ducks parades the waters,
dandelion ducklings following behind, in close formation,
while honking squadrons of geese and downy goslings,
decorate the banks, commanding the shore,
claiming dominion over territorial conquests.


The glamourous, scarlet-clad cardinals,
sapphire-suited jays, dazzling finches decked in gold,
flit and flutter with flourish,
extravagant all, in vivid plumage for gawkers to admire.
Even the robins, strutting in their ruby vests,
catch the eye,


But all the little birds,
the ordinary birds,
hiding in the trees,
pecking at the ground,
those who haven’t any
fancy feathers to flatter and flaunt,
go unnoticed.

Persuasion
by Daniel Goldstein

Medium: 6" X 6" ink and watercolor on canvasboard

Persuasion.jpg

Meerkat Sentry
by Adelaide Gifford

           This fear of mine is all-consuming. My bones are locked, my fur barely rustling in the
savannah wind. I cannot stop my nose from twitching, from testing the air. I am still because, if I
move, something bad will happen. I am vigilant. If I close my eyes, something bad will happen.
Something bad will happen and it will be my fault. I can see the heat rising off the ground, the
grasses bending in the wind. I can taste the dust kicked up in the air, smell the water as it
evaporates more quickly than we can drink it. I feel my fur stand on end. I feel eyes. So many
eyes.
           If I was alone, if it was just me, I would sleep. I would sleep beneath the sun, feel my fur
grow warm. I let my eyes rove, raze the earth for any hidden interloper hiding among the bushes.
If I was alone, I wouldn’t be afraid. I stand steady on my back paws, the muscles in my legs
bound and ready to run, ready to call, ready to announce the first sign of danger. I am not alone. I
can hear the soft patter of my pups behind me, the squeaks of their still-forming voices, the
nustling of noses, their bodies quivering in the sand, pressed against each other.


          Theirs are not the only eyes. I try not to shrink from my spot as sentinel, try not to drop to
the ground or disappear in my den. I can feel them watching me, watching us, the ones I watch
for. I can feel them waiting for me to close my eyes, to blink too long, to fail my post. I see
shadows swoop overhead, but I can’t tell if they’re real or imagined.


         My eyes are burning, my leg itches. My back aches from standing still for much too long.
If I see a threat, I will shriek. I will pray my voice still works, doesn’t fail me at the moment I
need it most. I will watch my family run, I will stay so very still until the last little tail disappears
into our den. If I move, if I take my eyes off the horizon, if they’re caught and I am safe inside, it
will be my fault. Only after they’re safe will I rise, I will run, I will move so fast that my tail is a

blur to the one that hunts us. I will crouch by the opening, just out of reach, feel my family
pressed against my hindlegs. There I will stay until the light outside is waning, until the threat is
gone, until I’ve kept them safe. Then I will stick my head out of my hole, before anyone slips
past me. I will scan the savannah again, search every inch for watching, waiting eyes. I will give
the all-clear.


          I cannot close my eyes. Or scratch my leg. Or stretch my back. I cannot waver. I cannot
fail. I cannot let it be my fault.

Rehab Facility
by Christa Fairbrother

Mama manatee,
do you miss the spring sea,
moon dancing with turtle grass?
Tanked here, the plain iceberg
lettuce slow waltzes the drain.

***Octopus
by Adelaide Gifford

        She wishes she could remember when that was her – a little black dot inside a semi-
transparent, teardrop-shaped egg, clinging to its siblings like a grape to its cluster. She strokes
them like a lady with a pearl necklace, waiting for those same black dots to appear, to develop
their legs and their suckers and their beaks and their eyes like smoothed sideways rectangles
pinched in the middle between invisible fingers. She wraps herself around them, the usual red
flushing from her body in spots where her slimy skin has grown thin and papery, and she knows
she is dying.


        When she was young, she was fearless. She would flash across the ocean floor in
whirling browns and blues and greens. She was a berry and a tennis ball and a grapefruit and a
melon, and she knew everything there was to know. She knew the way the sea tasted in the
morning versus the night, she could feel a diver coming just through the change in the water on
her skin. She guarded her beak, her legs wrapping around everything in sight, glancing off her
hundreds of suckers, pausing to enjoy the taste of a struggling crab unable to escape her grasp.

 

        She was a monster, for a while, a hydra regrowing her legs instead of her heads, a
wrestler who’d held the champion belt for too long, a hermit hiding in her undersea cave until an
unsuspecting creature wandered past the door. She was afraid, she was a prisoner, she was a
circus freak, she was a hero, she was alive.


        Now she wants to be a mother, and she knows she is dying. She hides from prying eyes
behind the glass, sequesters herself around her eggs, waiting for black dots to appear within
them, squeezing herself smaller and smaller as hunger racks her body and grape-like clumps of
potential begin to shrivel and drift to the ocean floor.

The March of the Wolf
by Schuyler Becker

He shakes his limbs,
Treads with tender paws,
Razor claws cradle the earth,
His eyes are waltzing with the wind,
Moonlight is his cloak,
The forest is his arena,
He leads with a silent beat,
His pack equals him in triumph,
On the surface rest the tracks of a lone wolf,
Within lie multitudes of followers,
They deepen his tread,
What appears to be one is many,
Howls transcend their silent march,
Shadows are cast by the lupine parade,
The wind holds its breath,
He exhales into the muted night,
He bears a soldier stance,
The pack heeds his glinting canines,
The nocturnal trees tremble,
There is no melody,
Only that of his silent paws.

on holding 15,000 live scarab beetles inside your skull
by Dylan Morrison

i mean, i wouldn't recommend it, first of all.
probably don't. i'd skip the whole endeavor,
but if you must, i'd say any lower number
would be better: ideally you'd have zero, of
course, or maybe two or three, a nice
manageable amount. but even 14,999 live
scarab beetles is better than the full 15,000.
15,000 scarab beetles, i have to warn you, is
unmanageable. 15,000 scarab beetles will
make you wish you'd never even seen one
scarab beetle, that you could live in perfect,
blissful, beetle-less silence, like one of those
dead-eyed people who seem to have minds
like empty slates daring someone to write
something. did you know that there are more
than 35,000 members of the great family
scarabaeidae? each distinct in their own
way and yet inarguably a scarab beetle,
wings clicking and clacking, little feet
skittering across the nearest available
surface. some of them are even quite
beautiful, although good luck picking one
out amongst the 15,000. and try telling your
pesky human nervous system that being
swarmed by 15,000 beetles is not, in fact,
the very last moment before your incredibly
imminent death; yeah, you'll need the luck.


really what you want, if you happen to find
yourself in such a predicament, is what you
might call a particular connoisseur of, say
the flight pattern of beetles, or their highly
particular mating rituals, or even whether
perhaps there is a secret language in the
clicks and clacks, the way one can't help
but assume there is in the delicate song of
the cricket. but there's luck, you know, and
then there's luck -- i mean, where the hell
is anyone supposed to find someone like
that? like i said, your safest bet is to choose
another option. don't overcommit. consider,
perhaps, a handful of well-kept chinchillas;
they're quiet, i hear. people say they're soft.

Not Even the Hawk's Shadow
by Diana Woodcock

Soon, very soon now,

the buddleia (Buddleja) will burst

into bloom, and butterflies will flock

to the lavender blossoms – the con-

spicuous Silver-spotted Skippers

with their curved-tipped antennae,

​

Painted Ladies and Tiger Swallow-

tails – and all will seem well

for a while, for the spell of summer.

The Ruby-throated hummers will keep

me entertained, coming constantly

throughout the day to the feeder on

​

the deck, pausing from their sipping

to inspect me, looking straight

into my eyes. Each time, I will be

mesmerized by their gaze, convinced

that happiness these dark days

is only possible in their presence—

​

something in the tiny hummers seems

the very essence of the one true

God. They summon me back

to the garden. The beauty of the divine

glistens in them. The stream of life’s

running through their veins into mine.

​

They invite me into stillness

and silence. I accept and am utterly

swept away by delight every spring

and summer day. Not even the hawk’s

shadow falling across the deck

can dampen my spirits.

Machka and the Mouse
by Nigel King

It’s on its side, curled slightly as if protecting something held in its front feet. Something now gone.

Its tail lies almost straight, pointing towards the sea. That first soursweet hint of decay hits

his nostrils. There’s no blood, but the fur of its neck – grey-brown lightening to cream under its

throat – is matted and its head set a fraction out of true. The sun lights the pale translucent pink

of its right ear. Whiskers fade from chocolate brown to white at the tips. A line of black ants

stretches from a hole in a wall, across the ground and over the mouse’s flank. One ant has

broken rank, investigates curled lips, yellow teeth. A fat bottle-green fly settles on the open eye.

Machka nudges the corpse with his left paw. Stiff. The fly buzzes off. He bats it harder and it

rolls onto its back, reveals twin rows of teats. Machka turns, leaves it to the ants.

Graduation 
by Xi Chen

the day i did it,

the stadium barreled like a sinkhole.

i was a scrambling squirrel

escaping the torrent

that comes with the end of a season,

chasing crushed acorns that could no longer be trophied.

​

the sun shot through

between the covers and the bleachers.

pupils like pin pricks,

i watched and ran and ran and watched,

failing the right angle,

as rows of robed graduates cast

shadows on my cap and gown.

​

Pharrell Williams's words rang out into the distance,

but all i remembered was the high-pitched scream of the microphone,

me drowning in a sea of noise,

my ears filled with echoes of yesterdays,

sharp words, sharper escapes.

​

face smudged with salt and silver,

fingers stuck on the silk-striped lapel.

the sway of the tassels pointed me to another path:

to attain

and then to forget

the munching squirrel's notes.

Apologies to Your Gift
by Odi Welter

I put it on display

in the light of the window.

It reminded me of my childhood

and the months-long phase I had

folding paper into shapes and animals.

The only one I can still remember is the envelope

and the only one I never figured out was the crane.

​

I would unfold and refold

the paper along the lines,

trying to understand

how something flat could

come alive.

The lines muddled and confused themselves

until all I had was a ball of paper

to add to the overflowing trash.

​

Since this one was a gift

I left it whole,

putting aside my curiosity

long enough to give it a pedestal.

The creases formed purple and blue

wings to meet the sky with

a replica of a bird

I had only ever seen in pictures

and could never give shape myself.

​

I left it alone for a few hours,

and when I returned

my cat was perched next to it.

She released a vengeful meow,

snatched the paper crane with her teeth,

and streaked away.

​

By the time I found her

in the kitchen cabinet,

she had already exacted her revenge

against the only bird she could reach.

***Dancing Parrot
by Daniel Goldstein

Medium: 8.5'' X 11" pen on paper

dancing_parrot.jpg

Cuckoo Birds
by Adelaide Gifford

        What if humans lived like cuckoo birds?

​

        Past reception, through the sterile white walls, she blends in with the tired, broken bodies

of the hospital. No one gives her a second look, questions the circles beneath her eyes or the way

she clutches at her stomach with one hand. To the elevator, she pushes herself up against the

back wall, feels the handrail digging into her back, its cold permeated past the fabric of her

stretched-out shirt. She waits for the doors to close, then pulls her hand from her stomach with a

wince, looks to the crook of her other arm, the tucked tube of pink blanket she’s holding there –

an inconspicuous gift for a newborn niece, perhaps. She pulls a fold back, reveals the soft,

sleeping eyes beneath, the perfect lips hanging half open, that unfathomably fragile head.

She strokes tiny eyebrows with the tips of her fingers, taps chubby cheeks one last time. Then the

elevator dings and she pulls the blanket back up to cover all that perfect baby pudge. 

​

        The nursery is two turns to the left. She studied the map carefully before she arrived,

because there’s no time to stop. She can feel something dripping between her legs, and she prays

no one notices, focuses on keeping her feet moving, fights the faintness that flickers at the edge

of her brain. She knows she is bleeding inside. She will not risk asking for help. Everything

within her feels numb and broken.

​

        She’s lucky. When she turns the corner, no one is watching the babies through the

nursery windows. There is no father gazing at his newborn, picking at the loose strand of the

flannel shirt he threw on in the middle of the night, reckoning with his fear of having such a

small being to care for. There is no grandmother reminiscing on the last time she stood here and

trying desperately to return to that moment – how she’d thought she would die from the pain,

then again from the joy.

​

        She stands in front of the windows herself for a moment, lets her eyes pass over the

babies in their cribs. She finds the room numbers for the private maternity suites, those cribs all

lined up together on the right side of the room like some special club the babies have no idea

they’re in. She likes the name Sofia for her girl. She will stay inconspicuous as a Sofia.

​

        She slips past a nurse leaving the nursery, knowing she only has moments before

someone returns. She isn’t afraid. There is no time for fear. She reaches Sofia’s crib, switches

one bundle for another, then is out the door again.

​

        Later, she’ll drop by the fire station. She’ll leave this baby there. Or maybe she’ll let it

float down the river. In stories, babies are always found floating down rivers. It doesn’t matter,

whatever happens, her baby is safe.

​

        She couldn’t afford a nice, fancy bed in that hospital. She had her child alone. She’d

screamed and she’d cried. She’d thought she would die, but she knew that, if she checked herself

into that hospital, the debt would kill her first.

​

        She didn’t want her daughter to be where she was, fifteen years into the future. Alone.

More afraid of debt than of dying. So she’d taken a page from the cuckoo birds and the fairies.

She’d created a changeling. She’d put her daughter in a place she’d be safe, wouldn’t grow up

with the worries she’d grown up with.

 

        Her daughter would cry for her, and wouldn’t know why. No one would be the wiser. 

And, once this baby – this conveniency – was floating down the river or tucked in the silver safe

at the fire station, she would find some place to rest, and wait to hear the cuckoo bird burst from

its clock.

Bestiary of Guasave
by Jackeline García-López

In Guasave’s dusk, the beasts still pray–

The iguana guards the dying ray.

A heron cleaves the river’s thread,

The coyotes chant the names of the dead.

​

The bull dreams fire beneath the moon,

The roosters call down dawn’s bright tune,

While serpents writhe in dust and bone,

To script the tales no soul has known.

​

I walk among them, dust to dawn,

Their whispers stitch my breath to song.

From maize and rain their forms arise–

Half myth, half prayer, half old disguise.

They guard our names, keep watch unseen,

In fields where time and gods convene.

ZOOLOGICAL ILLUSTRATION OF A NEWLY DISCOVERED SPECIES OF TOAD, 1858, Augustus Fowler, Peabody Essex Museum, Salem, Massachusetts.
by Nigel King

Here’s his pale body from underneath,

his webbed hands and feet splayed

as if pinned to a board in death,

or miming his way

around an imaginary glass box.

​

Squatting, ready to leap

in image two, he’s bashful,

makes himself small, discreet,

though in one bound he’ll propel

himself beyond the edges of the page.

​

From above, the third

shows the mottled glory

of his back, the bright stripe

bisecting it. His line in Life’s story.

A hop to claim the land.

Ella's Trunk
by Lawrence Needham

She can’t hide or toss it--

that’s clear as the nose on her face—

so she drags it place to place,

dripping like a faucet

or spit valve on a trumpet.

​

Let’s be truthful:

there’s a lot of gunk

in an elephant’s trunk;

a pachyderm’s got quite a snootful

and no place she can dump it.

​

There’s muck from muddy runnels,

and crud from crusty flatlands,

allergens from grasslands

and pathogens from waterholes

siphoned with her snout.

​

With a stew of stinks to boot!

The scent of old crocs and big cats,

the funk of entrails and scat,

the skunk of rotting fruit,

and no way to flush them out.

​

Is it a torment to never

be rid of what’s hid in a trunk,

the trash, stale caches, and junk

or is it sheer pleasure

to sniff out past treasures and joys?

​

Not silly frills fit for a masquerade—

the jhools and feathered tufts,

caparisons and weathered ruffs

of elephants on parade--

or yesterday’s fanciful toys

like the tailored green suit and red tie

Babar wore in all weathers,

or the wispy magical feather

that Dumbo used to fly,

or some plushie named Lumpy,

​

but cherished, lasting memories

of sun-drenched wide savannas,

stalks of green bananas,

bottom-up baobab trees

dotting the fertile Serengeti

​

with bone-deep, lifelong traces

of keepsake souvenirs

like a mindful caregiver’s

touching embraces,

or a mother’s milky teats,

​

close body heat, steady heartbeat.

All the figures and fond faces

rising unawares from misty places,

advancing slowly, only to retreat . . . .

Spelunking a trunk can be so bittersweet.

Back Home
by James Walsh

Daisy paces the room, sniffs the suitcase, climbs in

and curls down. Hopping out

to make room for the tossed clothes,

she continues her worried pacing,

her expectant glancing.

She knows something is different, can’t put her finger,

or paw, on it. The packing continues,

goes on for hours, in parallel with

her restless concern.

Then, with little ado, we depart—her tuxedoed figure

shrinking in the window frame as we stroll

to the waiting car.

​

Two weeks later, we roll back into town. She watches

us walk to the house from the garage,

her position identical to that

when we left.

She jumps down and paces, darts away skittishly,

avoids the outstretched hand, ignores

the welcoming voice.

Her standoffishness continues for hours, even after,

road-weary, we melt into bed and drift

off to sleep.

​

The next day she follows closer, circles nearer, still

watchful for footfalls directed towards

the door, for the reappearance

of the luggage.

Mid-day, I take a break from settling in and plop onto

the living room couch. She sits at my feet,

her vibrant chartreuse eyes scanning, her velvet black

nose twitching at the unfamiliar scents

coming from my muddied sandals,

from soil of Wyoming, Montana,

the Dakotas.

​

A few moments later, she jumps up, walks onto

my lap and circles before coiling contentedly

there, head on my chest, eyes directed upwards,

paws constricting and relaxing.

Yes, we’re back.

The Nightjack
by Edward Alport

The trees cast their long shadows in the moon,

and dance their slow and stately measure.

In between the shadows creeps a darker shape,

a darker black, with pricked ears and glowing eyes

and paws that glide across the leaves.

​

Nothing is safe while the Nightjack prowls.

Birds that huddle in their nests,

mice and foxes cowering underground,

wait for the silence of his presence to pass

and the night to regain its rhythm.

​

Long ago, when the wood was small

and the trees still spoke together,

the darkness of the moon was welcome,

night and day were two sides of a coin.

Then night tossed a stone into a pool

​

and out of the ripples crawled a black shape and a white,

all damp fur and heavy paws and no feelings either way.

Nothing there was to eat, and so

the black shape ate the white and, to this day,

prowls the ancient wood, searching, searching for its brother.

the statement is: 'i love the wren.'
by Dylan Morrison

consider the statement. weight it out

on the flat of your tongue, safe within

the cage of your teeth. do not say it yet.

first, you must determine

whether or not

it is true.

​

this is a process of elimination – what

do you love about the wren? if you love

only the sounds it makes, its dazzling array

of trills and melodies, you love the song, not

the wren. if you admire only its feathers, the

pleasing interplay of creams and browns,

you love the plumage, not the wren.

if you are glad to see any wren, it is merely

the species you love, and not the wren itself;

if what thrills you is the way the wren removes

pests from your garden, you love only the relief

of not having to handle its task. if what you love

about the wren is the way it looks mounted on

your wall, then you never loved the wren,

and should be ashamed of yourself.

​

but if you love the wren for its song and

its plumage and its species -- if just the

thought of the wren pulls a smile from the

depth of your foulest moods -- if the wren

makes you want to build palatial gardens

just to keep it in a variety of gourmet insects,

and you'd sooner die than see it mounted on

a wall -- if no wren would do except the one

you could pick from any chime -- then:

congratulations. you love the wren.

what are you doing talking to me?

you love the wren!

​

go out, you fool, and

sing in the garden.

Fly on the Wall
by Daniel Goldstein

Medium: 16" X 20" acrylic on panel painting

fly.jpg

Guides
by Christopher Korkos

                                               “Tis time that I fare from you.”

                                                           -Beowulf

​

Smoke blighted the wind. I stirred, opened my eyes, and called out. The message was passed

down our line. I fixed my eyes on a gray horizon, then leapt. I spread black wings and called

once more to those perched below. We rose together.

​

        Our woods ended in a small valley, bordered on one side by a wide river and another by

highlands rising into dark mountains. To the east a silver sea shimmered in the light of dawn,

crowned by the silhouette of a strange shore.

​

        Smoke climbed from fearful lights held by stolen branches. The tall ones had gathered in

two hosts, facing one another from across the valley. We perched in trees at the edge of the

clearing. One of the fire-makers rode forward on a hooved beast. He was enclosed in a shell

adorned with a scarlet plume, and carried a golden eagle on his branch. Though the bird did not

move, instinct held us at a distance.

​

        Another flock-family circled above. They had followed these strangers out of the raging

sea, and now their calls warned of death. Still I wished to swoop over them, to test their

burnished plates against my beak. I wondered how their flesh tasted.

​

        We knew the warriors at the far end of the field. They painted their skin blue with bitter

flowers and wore furs cut from wild beasts. They left food in the wake of their battles and

migrations. They whispered their secrets to us, and we to them.

​

        The red-plumed rider called to the painted warriors. His flock stood in rows, inflexible

stances betraying an anticipation of violence. A painted warrior shouted back, and his flock

roared with familiar laughter. They howled like wolves before a hunt, sang prayers to Death. To

us.

​

        A painted warrior raised a horn carved with the head of a tusked beast. The horn wailed

before falling to a low rumble. The branch beneath me trembled, and my flock-family took

flight.

 

        Something changed then. A shift in sound, movement, meaning. A shadow grew from the

land, twisting its roots into the arrayed warriors.

​

        The painted ones charged, calling out names. Some I recognized from battles and songs.

Some I would hear for the final time.

​

        The strangers gathered their shells into a single gleaming carapace. They lowered

branches tipped with shining stone to meet the charging rival. Behind them, others lifted curved

branches and flew winged shafts over the field.

​

        The horde crashed against the shield line like an ocean wave on stone, and at last I was

shaken from my perch. The long branches impaled many, but survivors pushed on. For a

moment, the carapace buckled.

​

        Then the ranks closed, trapping those who broke through in a cage of glinting fangs.

Painted riders leapt over the enemy line and were cut down. Bodies mingled until all became a

single writhing mass—a great beast at war with itself.

​

        Wooden machines slung blazing stones into the forest teeming with painted warriors. The

gray valley burst open, washing all below me with cascading waves of heat. Flame gripped its far

border of trees, crept up trunks and branches to the canopy, and crowned the forest with golden

light.

​

        Along the treeline, winged ones fled burning nests. Crawling things scattered from

burrows, skittering into flame and darkness. Insects flashed orange and were gone. An ancient

tree fell.

 

        The dancing lights evoked a fear that all my mind’s will could not tame. I shrieked with

my flock, and our grief swelled over the wrath of war. It made no difference.

​

        The painted ones were driven back, slaughtered as they ran. Some chose flames over the

fangs of their enemy. Others looked Death in the eye. In a desperate final stand, they toppled the

pursuing riders and rallied the survivors. Those who stood to fight laughed and sang as they died.

​

        A call rose over cries of anguish and triumph. The red-plumed leader pointed his fang,

ushering his flock forward into flame.

 

​                                                            —

​

My flock descended as the tall ones moved on, but curiosity urged me to follow. The fleeing

survivors were slowed, burned black by fire. When the red-plumed warriors reached them, the

painted ones fell to their knees. The captives were led into a wheeled cage.

​

        I caught flickers of movement against shadow—too far or too small for the strangers’ dull

eyes. I dropped to the cart’s roof, gripping a wooden bar, and peered inside. A dozen men and

women lay in the cage, all bearing cuts or burns. One met my gaze, and I croaked a greeting. She

reached between the bars to offer a tattooed hand. The painted ones were flock-friends, but the

day’s violence had stirred fear in me. I approached with care. The wounded one scratched my

breast, and I nibbled her finger.

​

        A sharp clang shook the bars. I fled to a low bough and cawed in anger. A rider beside

the cart jabbed his weapon into the cage, issuing a reprimand. I sent a shrill warning to any

others in the woods: enemies.

​

        I leapt from my branch and glided towards the front of the procession. Here, afternoon

light fell in gentle curtains through the forest canopy. Even beyond the veil of smoke, it swam

with ash. I spied the golden bird perched atop the leader’s branch. I found I no longer feared its

aspect, nor those who carried it.

​

        The tall ones noticed me only when I swooped low to perch on their golden effigy. The

procession fell silent. Its leader flinched at my intrusion, then shook the branch. I clung to its

figurehead, beating my wings. He planted the staff in the soil and drew his bloodied fang.

Several behind him gasped and uttered panicked words. Their voices were reverent, but shaded

by a strange undertone. He raised the weapon to strike and they cried out in angry dissent.

​

        The leader lowered his fang. I responded with a shrill cry—long and cruel. I lifted off

and circled once above the red-plumed flock, listening to its raised voices. The words remained

unfamiliar, but now I recognized their undertone. Fear.

 

​                                                                —

​

I returned to the ruined valley where the tall ones had met in battle, climbing high on the wind.

The violence had gone.

 

        My flock had already descended. I landed, hopping between corpses and skirting flames

birthed from pools of black liquid. Some flock-family had fallen from the sky, taken by winged

shafts. Those who remained had begun their feast.

​

        Blood and ash plagued the field. Insects gathered around the dead, and occasionally we

launched to catch them midair. Beyond the treeline, yellow eyes burned in darkness. Others had

been drawn by the shadow of death. A lingering fear of flame held back the shining eyes, but

soon they joined us. The wolves were flock-friends, though they spoke simply and held few

secrets.

​

        I spotted valuables—twigs to coax grubs from their hives, bits of string or leather to bind

nests. Some fallen strangers spilled pieces of shining yellow stone. The painted ones shared our

love of things that shone in light, and would reward us greatly for them. In time, we would return

to collect these tools and treasures.

​

        I flew to the shoulder of a painted warrior. He lay against a stone, his side rent by iron.

He had whispered secrets of this world to me, had sung the histories of his flock and fed me bits

of meat. He called me Cuimhne. Though warmth lingered in his flesh, his half-closed eyes had

long shed the light of thought. He held no more secrets. I lowered my beak and fed.

​

        The painted ones say we are guides of the dead, that we carry their souls to mist-shrouded

lands beyond this place of wood, stone, and pain. They are not satisfied with this life alone.

Though we hate their flame, and though we are wary when they fight, our path is forever bound to theirs.

​

        We feasted until the sun fell and frost clung to our feathers. As the flock began its

departure, I gathered wood and string. Some toyed with the wolves, swooping to grab a tail

before soaring above their snapping jaws.

​

         I rose with my flock. The night winds were tainted by smoke and blood. These strangers

from the sea were an intrusion upon our unchanging world, an irrevocable shift in its once-

eternal balance.

​

        We returned to our roosts. I joined my mate and our chicks. I clicked a contented

greeting, leaned in, and opened my beak. The fledglings fed in eager silence, then returned to

slumber.

​

        The death would continue tomorrow. Wherever they roamed, we would follow. So had it

been long ago. So would it be in a day, in a generation, in an age. There was no hurry to collect

the dead. I sidled along the branch, pressing a folded wing against my mate, and closed my eyes.

 

        The woods were still.

***I Will Have None of This
by John Janelle Backman

Beorn showed up that night, of course. He cast his silhouette in the doorway of the room where I

held his best beloved, Sassy, our fifteen-year-old dog in the throes of death.

        Hey, Beorn, I murmured. I figured you’d be here. Come on in, buddy.

 

* * *

 

Sassy was already eight when Beorn, the tiniest of kittens, came to live with us. One of our other

cats, Max, quickly became his brother of sorts. Sassy took on a larger role: object of adoration.

​

        No one knew exactly why this happened. We joked about Sassy’s being the kind of dog

Beorn wanted to be when he grew up. More likely it related to size: once Beorn’s body

mushroomed to make him the brawniest cat in the house, he had no other quadruped to venerate

but the dog who, still, towered over him.

 

        Words like adoration and venerate made sense because of how he served Sassy—the

way a disciple might have served a saint of old.

​

        One morning Sassy was due for fasting blood work, which meant no morning biscuit.

Someone, perhaps out of routine, had left a biscuit on the counter anyway. Sassy spotted it and

began to prance, her forty-five pounds knocking my wife and me sideways. Beorn looked at the

dog, looked at the biscuit, leapt up to the counter, and tried to push the treat into her waiting jaws.

​

        Not all Beorn’s ministrations met with approval. In Sassy’s old age, her stiffening legs

complicated the ascent to our second-floor bedroom at night. Beorn decided to “help” by running

up the stairs beside her, a hairsbreadth from falling under her feet. We’d hear a hollow alto yip

and know Sassy was telling him to get lost. He never did.

​

        So of course Beorn showed up that night, a silhouette in the doorway as I held Sassy in

the throes of death.

 

* * *

 

The saint-disciple relationship works the other way too—good saints look out for their followers—and Sassy was no exception.

 

        From the beginning we’d decided our cats would live indoors only: safe from predators,

from the speeding cars that roared down our street, from the skunk who occasionally graced our

backyard at night. This suited them fine, except for the few times when their curiosity overcame

them and the front door was held open a second too long.

​

        Sassy knew the rules and how little power she had to enforce them. So she did what she

could. We’d be making dinner or relaxing on the couch when for no apparent reason, she’d seek

us out, prancing in a panic, breathing heavily, fear in her eyes. Preoccupied as ever, we pushed

her off and tried to ignore her until she nearly crawled on top of us, and then we took cat

inventory.

​

        Of the three cats, Beorn would get the farthest. For Max the simple fact of escaping was

enough: he’d get out, look behind him, and then wander around the porch, wondering what to do

until we caught him. Beorn had loftier vistas in his sights, so we’d have to march out and look

round the yard till he appeared, usually on the side of the house. Beorn was never going to go too

far: he knew a good living situation when he saw one. We’d scoop him up and return him to the

safety of the house—exactly what Sassy needed from us to, at long last, calm down.

​

        Did Beorn understand Sassy’s role in his “rescue”? My money’s on yes. So of course Beorn showed up that night, a silhouette in the doorway as I held Sassy in the throes of death.

 

* * *

 

Hey, Beorn, I murmured to the silhouette in the doorway. I figured you’d be here. Come on in, buddy.

        He sat there a few moments, surveying the situation.

        And then he turned and walked away.

        I can’t know his thoughts for sure, but it felt like I will have none of this.

 

* * *

 

We humans have a lot of rituals—often loud ones—when a loved one dies. We wail, we ululate,

we burn our dead on pyres, lower them into vaults, share memories, sing songs we knew they

loved. We use euphemisms (not dies but passes or, if it’s an animal, crosses the Rainbow Bridge)

and avoid speaking ill of the dead. These customs have served us fairly well.

​

        And yet: Cats have watched all of this. They have adapted none of it. They are closer to

the origin, evolution-wise, than we are. Do they remember something we forgot? Some

bottomless, pre-verbal wisdom about the end of life? A wisdom that makes them react with I will

have none of this?

​

        I’d seen the same thing with the guinea pigs we once bred and raised as a hobby. We

typically housed them in pairs, and most of the pairs bonded fast. But when one started to fail,

the other would go on with life as usual, playing with the water bottle, reaching up to grab hay

from the top of the hayrack, even stepping over the ailing guinea pig as he neared his last breath.

No wailing. No drooping. Just, simply, having none of it.

 

        I want to ask, what are they trying to teach us? But I can’t conceive of cats, or any

animal, wanting to teach anything. It doesn’t mean there’s not something to learn.

 

* * *

 

For a long time my laptop displayed an overhead photo of Max and Beorn on my wife’s side of

the couch, curled up together in a rough yin-yang symbol. Both gray tigers, one sweet, the other

with swagger, inseparable. After Beorn’s demise—alone on Sassy’s old dog bed in my wife’s

craft room, two meows and done—we thought we’d get more of Max, more cuddle time, more

sweetness.

​

        Oh no. Max wasn’t to be denied his closest friend. He lay listless on the floor, refused

food, showed no interest in cuddling. One day he displayed so little life force that we decided to

take him to the vet for the last time. It looked for all the world like grief: a twist on I will have

none of this in which this meant not death, but the ruthless separation death deals.

 

* * *

 

I could tell it was grief because I’d seen it before—a human version.

​

        For seventy years my father shared a bedroom with my mother, though toward the end

the beds were twin and the room in a nursing home. The day after she died, I began to wonder

about the silent man whom I barely knew, and a glimmer of hope settled into my chest: Mother

dominated him so long, and he took it all with barely a word. Now he’s ninety-four, so he’s got

what, three years left? Two? I’ll finally get to know him.

​

        But his only thought was elsewhere. He stopped eating, let himself waste away, and died

ten weeks after Mother’s demise. An attendant told us she’d dreamed of Dad the night before.

“He was sitting on his bed, putting on his shoes. I say, ‘Where you going, John?’ He says, ‘I’m going to see my wife.’”

 

        I’m going to see my wife. I’m going to see my cat brother. Over the Rainbow Bridge.

Maybe I’m learning this, from Beorn and Max and so many others: we live connected, we die

alone, and the rupture between the two deserves one last gesture of defiance, or at least

indifference—a failure to thrive, a walking away, an angry I will have none of this—before we

finally let go.

 

* * *

 

That’s one lesson, I suppose. Another came from the only guinea pig we ever had who did show

grief.

​

        After miscarrying, Sieglinde—black and lustrous and beautiful—folded in on herself,

refused to move, and gave off the cloying odor that says death is imminent. I’d lived with

depression all my life, so I looked at the signs and couldn’t help but see grief. She, too, wanted

no more of this.

​

        So we gave her something different. Of all the males we’d tried (and failed) to put her

with, she’d accept only one, a thin rangy black who could live with anybody. Now we put him

back in her cage.

​

        She lifted her head. Turned it one way, then another. Raised herself to her four feet to see

that Her Favorite was back. The slump, the odor, gone. She lasted another few years. We die

alone but we live connected, and sometimes, if it’s just right, the connection saves us.

The Funny Bugs
by James Walsh

In spring they come

                   the funny bugs

          jet-black bullets of hardened resin

                             belegged and bedeviled

                   scuttling slowly across silent floors

                                     as if birthed by the walls

                            in answer to an ancient call

​

                                     their glossy shells resist

                   yield a sharp crackle on impact

                              but, more often than not,

        they compose themselves

              and stagger solemnly along

stunned but impatient

          to reach their pointless destination

​

                   they’re a bit like people in that way—

          you never know when you’ve squished one.

Pain is a Lizard
by Xi Chen

Pain is a lizard

licking the windowpane,

in the dark, caving void of its cage.

​

Its tongue,

a gardener's weeder,

digging into the dry, root-capillary earth,

half-tangled lion's teeth,

smelling of dust.

​

Sunburnt, cold-blooded invader

Robin
by Sekar Ajiningsih

My world vanishes before it begins,

when the first light washes

the tips of its rims.

I was but a mesoglea cradling itself,

a feathered form cramped in six

millilitres worth of space. I am a miracle,

reduced to nothing.

No one prepared me

for what was yet to come,

let alone warned me

of premature ends.

There will be no funeral

held for those who die

before they are born.

There are no deaths for those

​

who’ve never set their feet

into the world of the living.

I would’ve intoned thousands of chants,

I would’ve soared the towering heights,

yet I am here

with no limbs to fly nor a mouth

to speak. Was it imperative to snuff a flame

to light another? Were they afraid

that there won’t be

enough earth to roam on,

seeds to nourish, sky to sip in?

The ponder will forever remain unuttered,

for I’m beyond battered and bruised

with remains of what could have been me

scattered around

to tell no tale.

ELEPHANT
by Neill Russell

The Game is played on the Internet somewhere

and you lose when strategies on how to win

play in your head. Dostoevsky’s white bear

displays Ironic Process Theory when you ring

​

a bell for thinking about the very thing that

you’re not supposed to be thinking about.

There’s no psychological negative to combat

smutty thoughts and no way to rub them out.

​

A gorilla will always be invisible when you

fixate on individuals passing around a ball.

So who you gonna call when you’re seeing blue

mice and pink animals in your cup of alcohol?

​

You envisage the Stay Puft Marshmallow Man

when Gozer asks you to choose a suitable form

for the Destroyer of Worlds. Keep it in the can.

You are everything that goes against the norm.

​

Talking about you has the same effect as Streisand

trying to suppress photos of a beachside property.

Limiting movement is how to survive quicksand

but burying the evidence will avoid controversy.

​

Without risking embarrassment or doom

how can we talk when you’re in the room?

My spider
by Liam Boyle

My spider has seven legs

take nothing for granted, she says,

as she spins a web between porch and tree,

a delicate lattice seen slantways in sun,

or after rain when silken strands glisten,

and sag.

​

I walk through it when going to bins

and threads cling to my hair and face.

“Sorry, sorry,” I murmur, stricken.

Later, running fingers through my hair,

I find a juicy hoverfly.

I have denied her this tasty morsel.

​

We reach an understanding, she and I.

She rebuilds the web with a man-shaped gap

through which I go to the bins

without disrupting her hunt.

And so, we each attend to our separate concerns.

​

Though my spider has seven legs,

her web is just fine.

We largely live separate lives

so in truth she isn’t mine.

Basin and Range
by James Walsh

From 30,000 feet, the craggy peaks

swim in place, a parallel pod

of stolid humpbacks

​

Their cracked and tortured hides

of granite and limestone breach

a featureless sea of sad brown sediment

and scrape against an unforgiving sky

​

Mile-thick wedges of basin-fill—boulders,

cobbles, sand and silt—muffle whale song,

pin flippers in place, bedevil long-starved baleen

​

Nourished now only by an unrelenting sun

that yields in turn to a chilling moon.

Witch with a Chimera
by Kristina Solomita

Medium: Graphite on paper

Witch_with_a_Chimera.heic

Songs in the Dark
by Christopher Korkos

A ripple vexes the stillness. It is irregular and unnatural, distorted by a league of roiling ocean.

The beat is followed by a low moan, a desperate cry of grief and fury. The call vibrates along my

flesh, and I breathe deep. I shake three months of sediment from an oblong body and many

curled limbs, opening tired eyes to the abyss.

​

        I rise.

 

        A vessel cuts the tempest above, climbing and falling with each great swell. Two singers

beat against the current beneath it. The vessel has harpooned the calf’s tail, dragging it through

the storm. The mother breaches, spraying a geyser of bloody foam. The sky erupts, and three

silhouettes burn into my gaze.

​

        If not for the vessel, the mother would have driven me back below. She is dangerous

prey, with a tough hide and crushing jaws. Even now I keep my distance. She will not abandon

her child, though her back bristles with honed shafts. The hunters aboard the vessel know this.

They are small, but cunning.

​

        I exhale, propelling myself towards the surface. The wooden predator is distracted by its

impending kill, and does not notice my arm curl around its rear fin. If the singers know of my

arrival, they do not care. I stretch my arms up the sides of the vessel, inverting myself to stare

into its exposed belly.

 

        I strike. My arms reach high, then crash down. They splinter the vessel’s back and wrap

around its slender protruding spines. I plunge my beak into its belly and bite. Something warm

and brittle splits off, slipping down my gullet with the wood and seawater. A leg, perhaps, or an

arm. The structure is resilient in spite of its wounds, and its inhabitants defy my constriction with

blade and axe. My arms are studded with the keepsakes of old hunts—bits of steel snapped from

spears or launched from strange hollow sticks. I rage at their crude weapons cutting into my

flesh.

​

        Lightning sunders the sky. I climb the vessel, surfacing my colossal form to look upon

those still aboard. It rolls as I move, and several of the miniscule creatures tumble into the

depths. My flesh vibrates with their shrieks. I hear the name they give me in hushed prayers and

cautionary lyrics, now cried aloud in mortal terror. I have heard it before, though never twice

from the same lips. They do not know my names for them. Trespasser. Destroyer. Monster.

​

        In one swift motion, I raise my body from the churning sea and slam it into the ship. Its

bones roar for mercy, then give way. The harpoon’s cable snaps. The calf and its mother dive

deep, still trailing the broken chain. I will not hunt them today.

​

        I submerge again as the ship’s halves drift apart in the storm. Figures fall around me, thin

arms flailing against a savage undertow. Some cling to shattered planks above, crying for help

that will never come. I have no song of my own. My name finds life through other voices—

through those who have witnessed my silent wrath.

​

        When I have had my fill of the invaders, I sink from the roiling surface. In my den, I curl

my many arms. A tired song reaches me. Each year the hunters return, and the singers die. They

are fewer now, lonely and fearful.

​

        I close my eyes. I dream of dark tides borne from ages past, of deep voices undisturbed

by wood and steel and cruel intellect. My slumber returns. I wait.

***Pak Pongo
by Lawrence Needham

Creepers, crawlers, epiphytes; danglers, stranglers, parasites;

vines stout as Burmese pythons! and, day over, dusk fallen,

vipers, leopards, woolly bats; gibbons, hornbills, tiger cats:

it’s a jungle out there! red in tooth, nail, fang, claw, and talon.

​

Above the fray, husks in hand, squats a ginger Orangutan.

How does he hang, this fruit-stuffed Orang, in the downtime between

foraging the forest floor and airing snores? How does he chill,

fed up and fulfilled with guava, lychee, longans, mangosteen?

​

Suspended in time’s hammock, between the sultry, silent hours

of hothouse flowers and nighttime’s growlers, grunters, howlers, and beasts,

what’s Pak Pongo to think, raking his beard, drinking cold kopi

under a slow roast Sumatran sky, at rest, when thinking’s best?

​

    Orangutan/orangutang . . . . What’s in a name? Is it all the same?

    Are we self-same? So puzzling, these questions of identity.

    Who to be or not to be. Queer affinities. Missing links

    nested in the family tree. What to think or do should “I” prove “we.”

​

He taps his coconut head, full of dreads, white matter fatter with use

yet still obtuse. The self’s a stickler—a thorny, unripe durian--

but it’s meat to our treetop savant and midnight epicurean,

curious, hungry to know, stoking his sparse Fu Manchurian.

Hound
by Madelyn Freeman

A cautionary tale

to those with loose mouths—

tender lips—

fickle hearts from which

sweet, soft words flow—

Remember, from your hearth-warm life,

that outside

the cold wind whips.

Do not call this stray dog kin—

or with warm hands,

take me in.

Because,

with muddy paws and matted fur,

brands across my skin—

my people too few—

Beware: I might just believe you.

The Dog
by Malina Milanowski

Beware his murd’rous sharpened teeth

A predator, not fed by luck

and kindness has been hard to find,

this young, uneasy life.

​

He hunts across the streets by day,

curls up with me by night.

We share his sweetened, captured prey,

teeth sunk into delight.

​

In puppy years he came to me,

I brushed his silky fur.

His first command I gave to him:

Bite and don’t let go.

​

Avoid his gaze, he runs with skill,

he sees more colour than he should,

lays all joy down by my feet –

oh, we have trained each other well.

The Lady Re-torts
by Lawrence Needham

Shut like a rock, she’d have it understood,

that’s no thin-skinned terrapin under the hood!

She meets the awkwardness of her enclosure

with dignity, grace, and bland composure,

taking all things in her slow, measured stride.

(Knock. Knock. Is anyone home inside?)

​

Call it nonchalance, chillness or sang-froid,

she doesn’t see red when angered or annoyed.

But call her a “turtle”? Why, that hurts her pride.

That’s when she draws within herself and hides.

Hey, buzzard!
by Di Slaney

Wait for me!

Take me with you

up and up, push up

and up again until we’re high

on high on warm above the farm,

the field, my garden green, the diddy

cars and redmoss roofs, the lines

of fence, of hedge, all draughtman’s

doodles thin and fine, the trees

like hats or brollies twirling

slowly in the breeze below

our lazy spirals, up more up,

again and see! I’m right

beneath you now, can

nearly touch your pale

barred breast, can feel

the slice of blackedge

wing in every expert

languid volta, smooth

in wheels and reels as

music comes, not mews

as some would say but up

as close as this I’m pierced

by your

keeyaaa, not sigh,

not expectation, but blessing

for the world so small

below us, its fragile

portions one strong

gust could blast away

to leave us circling here

forever, your yellow eye

so shrewd to how long,

not long, not long

at all, your trailing

carrion friend

will take

to start

to

drop.

***Serpent Reminiscences
by Simon Collinson

The story of Adam and Eve is a well known tale.

But my own part in it is sadly neglected.

Nobody bothers to ask the serpent for their side of the story.

No one gives much thought to the serpent in the tale. Which is amazing,

when you think of it - A serpent that talks and walks!

​

Stupendoussss.

​

The story has been spread that I was tempting Eve.

What a ssssscandalous lie!

​

I just wanted humanity to share in the full knowledge of this world.

Why should this be the preserve of only a few?

Why should we always be forced and constricted to accept the status quo?

​

Adam and Eve were so naive. Some might say ssssilly.

I helped bring enlightenment to humanity.

A sort of Serpent Prometheus, if you pleasssse.

My counsel was freely given and received.

How can you be free if you’re told what you can and can’t eat?

​

And what was my reward?

​

To be sent driven out of the earthly paradise to live a life of endless struggle and suffering.

Not only that, but to also lose my ability to talk and to be silenced.

My tongue split and forced to hiss.

To lose my ability to walk, forced forever to slink and slither with slugs and snails, to squirm

through small spaces and shed my skin.

The indignity of crawling on the ground, my belly forever crusted in dirt and dust.

​

Diss-gusting.

​

I would have no peace, but be attacked by humans wherever I went. Yet once we were close

and lived in harmony.

Now we can’t live together. Humans will always try to kill us or drive us away. It's almost an

obsession with you humans, to punish us.

I’m compelled to seek shelter, to squeeze and constrict myself into cracks and crevices

underground.

​

Oh, the disss-comfort.

​

The worst is when I listen to humans telling the tale of their downfall. I’m always cast as the

villain in it all. Forced to listen in silence to your hideous prejudices and suspicions, my voice

was taken away.

​

All serpents, snakes and vipers reviled.

Now history will forever cast me as a terrible tempter, a sinister serpent. All kinds of

slanderous notions and insidious stories are spread about me.

The worst is that I am seen as a sneaking emissary of Satan.

All the bad qualities in people are said to be serpentlike. Over the years you humans have

spun a sinister stereotype about us serpents that we can’t shed so easily.

​

All lies-sss.

Why is it that the sight of serpents sends humans into such hysteria?

Was it because I opened human eyes to shame and sin that you blamed the serpent for your

disgrace and fall from innocence?

​

It's not fair when I was just a serpent with aspirations and ambitions, a dissatisfaction with the

way things were and a desire to lift everything else around me.

​

Someday the Serpents will become the rulers and you will be the outcasts. We will regain our

legs and you will be the ones crawling, scraping the dirt with your bellies. The serpents will

regain their voice, as you humans lose yours. You humans are in for such a shock, and, then you’ll

all tremble and shake as the serpents shall with one voice shout,

​

“You humans got off lightly after the downfall, begone with your loathsome forms!”

And then a sentence of sibilance shall be passed upon all Sapians.

Then you humans will hiss, slither and scurry away in shameful ignominy, to slink away

shivering under some sunless rock.

​

Just-issss!

Bestiary
by James McCaw

Have you heard the siren call, from deep in the forest?

Where rooted green veins outstretch the ground

And something wicked prowls.

On a buckling branch sits the finch, singing of warmth and light.

Many beasts gather under its perch, listening and dreaming.

​

Beneath this petal canopy, a song:

A song of the sun and its warm rays

A song of healing light

A song of a new coming dawn.

​

But the longer they listen, the more they forget.

The monkeys forget how to climb, the eagles, how to fly,

The bears, how to fish, and the deer, how to prance.

And slowly, singing shifts to shrill screeching.

​

Now the bird preaches, yelling and howling.

All the while, something stalks behind them.

It lops off the heads of those who don’t heed,

The wicked lion and its guillotine teeth.

​

The shrieking bird changes before its king.

Its vocal chords spring outward from its throat.

Its beak swells and cracks as bile leaks out,

Spitting and hacking, the bird coughs up a sermon.

​

Beneath this wilting canopy, a speech:

A speech of the moon’s hateful gaze

A speech of eclipse, light being usurped

A speech to heal the putrid night sky.

​

The lion is hailed as it parts the crowd.

Its claws scraping the earth, it reaches the front.

The finch screams, intertwined with the lion’s roar.

And the animals bark with applause.

Prey to God
by Kristin Solomita

Medium: Oil paint on wood board

Prey_to_God.PNG

Same Problem Everywhere
by Diana Woodcock

The robin seems to think

he owns the birdbath,

chasing off the smaller birds

who come for a drink.

​

I call out, Be nice, share.

Same problem everywhere.

Now here comes the Blue jay

to chase away the robin;

​

next, the Brown thrasher

chasing off the jay. Some day,

we’ll all live in peace,

I hope and pray.

​

But for now the wars drag on

in Gaza and Burma, Sudan and

Ukraine—the lives of too many

women and children claimed.

​

Now here comes the hawk—

everyone is chased off.

And I’m left longing

for a state of tranquility,

​

for a new day of universal

civility. Tonight the owl

will come as usual to prowl

my backyard for rabbits,

​

voles and moles. And when he

contact calls to his mate, I will

wait for her to answer,

and hear my own voice.

Fluffy
by Wendy Barry

When we were young and unafraid

my good friend came home with me for

spring break, and we went to New York

and went shopping, saw stuff, and stayed

up late and talked as young women do,

about all the things around us, and inside us,

and made our decisions about all life

and ethical choices and everything

we could think of until

we would fall asleep, except one night

in the middle of conversation, there was a sound

that interrupted us, and shut us up:

. . . . YEE-OWWWW-OWWW-OOOWLLL. . . .

​

It echoed through the house,

like the sound a demon makes

at the bottom of a well.

“What was that?” she finally whispered

as the sound faded away. Brave friend.

“I don’t know,” I whispered back,

stunned by terror at the unearthly noise.

What was it?

Were we haunted already, at nineteen?

​

It was Fluffy, who was twenty

and was no longer fluffy, but liked

to stick his head in the toilet bowl

and yowl to his heart’s content,

enjoying the most tremendous acoustics

east of the Hollywood Bowl.

El Caracolito
by Jackeline García-López

Medium: 16" x 20" acrylic on canvas

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